ART 1001. Foundations I/(3).F;S.


Basic introduction to two-dimensional design
emphasizing the structural elements of art, the
principles of visual organization, and the
psychological effects of visual decision making.
Color theory, including schematic uses and
historical and psychological aspects, will be
explored along with the application of color
mixing and color integration. There will be an
introduction to the critical and analytical
approaches to the visual arts. Prerequisite:
portfolio admission into the Department of Art.
Lecture and studio four hours.




ART 1002. Foundations II/(3).F;S.


This course is the second half of an introduction
to the structural elements of art. It examines the
organizational principles of three-dimensional
design and the study of equipment and materials
used in this area of art making. Emphasis is on
three-dimensional vocabulary, understanding of
sculptural space, the use of hand and power tools,
materials manipulation, and processes related to
three-dimensional art. Prerequisite: ART 1001.
Lecture and studio four hours.




ART 1003. Foundations Drawing/(3).F;S.


An introductory experience in drawing with
emphasis on visual awareness, perceptions, and
interpretation. An orientation to basic tools,
materials, and techniques is centered on drawing
basic forms (cylinder, sphere, cone & cube)  and
continues through more complex objects and spatial
contexts (still-life, interior, architectural
exterior, and the human form). Should be taken
concurrently with one other foundations level
course. Prerequisite: portfolio admission into the
Department of Art. Lecture and studio four hours.




ART 1010. Visual Communication/(3).On Demand.


This course examines the significance of the image
as a vehicle of communication. Concepts and
techniques taken from historical as well as from
contemporary sources will seek to develop an
understanding of the nature of the visual process
and its importance in human lives. Studio work
will include art experiences designed to increase
an understanding of form and of content. Lecture
and studio four hours.




ART 1011. Design Fundamentals I/(3).F;S.


Basic introduction to two-dimensional design
emphasizing the structural elements of art, the
principles of visual organization, and the
psychological effects of visual decision making.
Color theory including schematic uses and
historical and psychological aspects will be
explored along with the application of color
mixing and color interaction. There will be an
introduction to the critical and analytical
approaches to the visual arts. Lecture and studio
four hours.




ART 1012. Design Fundamentals II/(3).F;S.


Second half of basic studio problems in visual
design offering further work with the structural
elements and the organizational principles dealing
now with three-dimensional design and space.
Guided structural analysis will continue in order
to develop aesthetic evaluation perceptions and
skills. Prerequisite: ART 1011. Lecture and studio
four hours.




ART 1013. Drawing Fundamentals/(3).F.


Introduction to the drawing experience with
emphasis on the development of eye/hand
coordination and on basic techniques and skills
necessary for the interpretation of visual form.
Lecture and studio four hours.




ART 1102. Graphic Design I/(3).F;S.


This course is a graphic design foundation course
that prepares the student for more complex
creative problem solving projects. The course
challenges the student to further develop design
skills as well as to develop the technical skills
of a graphic designer. Prerequisites: ART 1001 and
1003. Lecture and studio four hours.




ART 1202. Calligraphy/(3).On Demand.


An introduction to letter forms of use to both the
serious and the occasional student. Western
Calligraphy, including Roman capital letters,
foundational Roman and Italic alphabets will be
studied. The application of color to letter forms
will be examined, with an emphasis on technique,
creativity, and design. Included in the course of
study will be the history and development of the
alphabet as it applies to hand-lettered forms.
Prerequisite: ART 1001 or permission of
instructor. Lecture and studio four hours.




ART 2007. Clay I: Beginning Handbuilding/(3).F;S.


An introduction to clay and clay bodies using all
phases of handbuilding. An over-all investigation
of clay techniques emphasizing form and design.
Prerequisites: ART 1001, 1002 and 1003. Lecture
and studio four hours.




ART 2008. Fibers I/(3).F;S.


General introduction to and involvement with basic
fibers processes. Emphasis on fibers processes as
a visual and personal problem-solving experience.
Prerequisites: ART 1001, 1002 and 1003. Lecture
and studio four hours.




ART 2009. Metalsmithing and Jewelry Design I:
Fabrication and Stone Setting/(3).F;S.


This course will focus on processes for
construction with nonferrous metals. Techniques
will include basic fabrication, stone setting,
forming and the creation of mechanisms.
Prerequisites: ART 1001 and 1002. Lecture and
studio four hours.




ART 2011. Art Introduction/(3).F;S.


Analysis of selected examples of architecture,
sculpture, painting, crafts, and industrial design
in relation to their historic time and need. Three
hours lecture. (CORE: HUMANITIES)




ART 2012. Humanities: Arts and Ideas I/(3).F.


A course which concentrates on the interplay of
art, music, dance, theatre, philosophy and
religion in the ancient through medieval cultures
and their influences as manifested in other
centuries. Lecture three hours. (Same as
MUS/P&R/THR 2012.) (MULTI-CULTURAL; CROSS-
DISCIPLINARY) (CORE: HUMANITIES)




ART 2013. Humanities: Arts and Ideas II/(3).S.


A course which concentrates on the interplay of
art, music, dance, theatre, philosophy and
religion in contemporary culture. Lecture three
hours. (Same as MUS/P&R/THR 2013.) (WRITING; MULTI-
CULTURAL; CROSS-DISCIPLINARY) (CORE: HUMANITIES)




ART 2016. Studio for Non-Art Majors/(3).F.


Studio course for the art minor and other
non-majors wishing to pursue the art-making
experience in various studio areas (alloys, clay,
fibers, painting, photography, printmaking, and
sculpture). Course may be repeated barring
duplication of studio area. Prerequisites: ART
1011, 1012 and 1013 or by permission of the
instructor. Lecture and studio four hours.




ART 2025. Relief Printing/(3).F;S.


A general introduction to printmaking - it's
history, development, techniques, and processes.
Emphasis is on an in-depth study and application
of various relief methods (embossing, collagraph,
linoleum cut, woodcut, and non-traditional
methods) along with an investigation of relevant
image source and development. Prerequisites: ART
1001, 1002 and 1003. Lecture and studio four
hours.




ART 2026. Photographic Design I/(3).F;S.


An introduction to photography: its history,
development, techniques, and processes. Students
will have the opportunity to learn proper
procedures for composing, exposing, developing,
processing, printing, enlarging, and displaying
black/white photographic images, with emphasis on
technical and pictorial expertise. There will also
be instruction in basic lighting, shooting, and
copying of art work for portfolio and/or
educational purposes. A non-automatic 35 MM camera
is needed. Prerequisites: ART 1001, or instructor
approval prior to registration. Lecture and studio
four hours.




ART 2030. Prehistory Through Medieval Art/(3).F.


A survey of painting, sculpture, and architecture
from prehistoric times through the fourteenth
century. Lecture three hours. (MULTI-CULTURAL)
(CORE: HUMANITIES)




ART 2100. Painting I/(3).F;S.


An introduction to the medium of oil or acrylic
paint emphasizing color, techniques, and
composition will include perceptual and conceptual
resolutions. Individual consultation and group
critiques. Prerequisites: ART 1001 and 1003.
Lecture and studio four hours.




ART 2101. Sculpture I: Modeling and
Casting/(3).F;S.


An introduction to sculptural ideas and concepts
developed through modeling in clay, wax and
plaster molding processes. An introduction to
foundry casting includes basic sand casting and
plaster investment processes. Prerequisites: ART
1001, 1002 and 1003. Lecture and studio four
hours.




ART 2102. Typography/(3).F;S.


A concentration in the study of typography. Course
includes a survey of major typographical trends,
analysis of letterforms, typesetting methods and
the use of type in layout design. Prerequisites:
ART 1001 and 1003; this course may be taken at the
same time as, but not before ART 1102.
Corequisite: this course should be taken
concurrently with TEC 1012. Lecture and studio
four hours.




ART 2103. Drawing II/(3).F;S.


Involvement with a variety of drawing concepts and
media. Emphasis on student development of
compositional concerns, graphic expression through
media and process, and content. Both subjective
and conceptual approaches will be undertaken in
drawing exercises. The course also includes life
studies from complex still-lifes, landscapes,
interiors, and the human figure. Prerequisites:
ART 1001 and 1003. Lecture and studio four hours.




ART 2104. Digital Imaging/(3).S.


This is an introductory course in the use of the
microcomputer specifically for electronic media
image-manipulation by artists and designers. This
course emphasizes visual problem-solving using the
computer as a creative tool. Lecture and studio
four hours. Prerequisites: ART 1001, 1002, and
1003. (COMPUTER)




ART 2107. Clay I: Beginning Throwing/(3).F;S.


An introductory to clay and clay bodies using the
potters wheel. An investigation of throwing
techniques emphasizing form and design.
Prerequisites: ART 1001, 1002, and 1003. Lecture
and studio four hours.




ART 2125. Serigraphy/(3).F;S.


In-depth work with photomechanical screenprinting
processes and techniques and with color theory.
Emphasis is on the thorough investigation and
development of diverse image sources resulting in
unique pictorial statements. Prerequisite: ART
2103. Lecture and studio four hours.




ART 2126. Pinhole Photography/(3).On Demand.


This course offers an introduction to and
extensive experience with several unique
photographic applications, while concentrating on
pinhole photography, photograms, drawn negatives,
and other alternative photographic approaches and
processes. Emphasis is on the creation of
inventive compositions and image manipulations.
Prerequisites: ART 1001, 1002 and 1003. Lecture
and studio four hours.




ART 2130. Renaissance Through Contemporary
Art/(3).F;S.


A survey of painting, sculpture, and architecture
from the fifteenth century to the present. Lecture
three hours. (WRITING; MULTI-CULTURAL) (CORE:
HUMANITIES)




ART 2201. Sculpture I: Carving and
Construction/(3).F;S.


An introduction to sculptural ideas and concepts
developed through carving in stone and wood and
additive construction in materials such as welded
steel. The student is introduced to the use of
specialized hand and power tools including
pneumatic chisels and die grinders as well as
power sanders and grinders required for shaping
and finishing stone, wood and steel.
Prerequisites: ART 1001, 1002 and 1003.
Lecture and studio four hours.




ART 2230. History of Graphic Design/(3).S.


A historical survey of graphic communications
including the development of word symbols, type,
printing, illustration, photography, and computer
art. Lecture three hours. (WRITING)




ART 2421. Art Education: Professional
Survey/(3).S.


A study of current trends and issues in the field
of art education, including new technologies,
research, and art teaching in areas such as public
schools, community and adult education programs,
art therapy situations, museums, early learning
centers, and other alternative sites.
Prerequisites: ART 1001, 1002, 1003, and two
beginning studio courses. Prerequisites may be
waived for non-licensure students, with permission
of instructor. Lecture and laboratory four hours.
(WRITING)




ART 2500. Independent Study/(1-4).F;S.


Majors in art may broaden and intensify their
program through individual research and
involvement in a given area of art. Prerequisite:
Permission of department chairperson.




ART 3007. Clay II: Intermediate
Handbuilding/(3).F;S.


An intermediate clay course developing
handbuilding technical skills, plus the possible
combination of handbuilt and thrown techniques
emphasizing form and design. Prerequisite: ART
2007. Lecture and studio four hours.




ART 3008. Fibers II/(3).S.


Intermediate exploration in selected fibers
processes. Emphasis on fibers as a visual and
personal problem-solving process as well as
thorough technical understanding. Prerequisite:
ART 2008. Lecture and studio four hours.




ART 3009. Metalsmithing and Jewelry Design II:
Casting/(3).F;S.


This course will introduce centrifugal casting,
rubber mold making, advanced stone setting,
repousse and chasing. Students will continue to
develop and incorporate forming and fabrication
skills. Prerequisites: ART 2009 and Candidacy
Review. Lecture and studio four hours.




ART 3013. Introduction to New York/Washington Art
Scene/(1).F;S.


The ASU-NY Loft and/or the Appalachian House in
Washington are bases from which visiting groups of
students will experience the art museums and
galleries in each city. Trips to these cities,
organized by art faculty, allow students to gain
one semester hour credit. Individual projects are
assigned by the instructor leading each trip. May
be repeated for a total of three hours credit.




ART 3021. Visual Art in the Elementary
School/(3).F;S.


A general orientation to visual art
teaching/learning for the elementary level
classroom teacher. Students will study the broad
subject of visual art (aesthetics, history,
criticism, and studio) and will acquire the
ability to devise and evaluate worthwhile art
lessons that are comprehensive, integrated, and
multi-cultural in nature. Students will create and
teach their own visual arts lesson, devise a
curriculum, engage in studio activities, etc. Two
hours per week lecture; two hours per week studio.
Prerequisite: ART 2011. (Same as CI 3021.)




ART 3100. Painting II/(3).S.


This course allows the student to continue
painting processes begun in Painting I. Emphasis
is on the gradual introduction of more difficult
painting problems and more sophisticated ideas of
color and composition. Prerequisite: ART 2100.
Lecture and studio four hours.




ART 3101. Sculpture II/(3).F.


Intermediate exploration of sculptural expression
through greater depth and emphasis on media,
processes and concepts previously introduced in
the 2000 level sculpture courses. Prerequisites:
ART 2101 and ART 2201. Lecture and studio four
hours.




ART 3102. Graphic Design II/(3).F;S.


Third course in graphic design sequence stressing
creative problem solving techniques as applied to
layout, color and typography. An introduction to
the Macintosh microcomputer with emphasis on
applications used for design, layout and
illustration. Prerequisites: ART 1002, 1102, 2102
and TEC 1012. Lecture and studio four hours.
(COMPUTER)




ART 3103. Drawing III/(3).S.


Advanced study in drawing concepts, image-
development, materials and techniques. A study of
contemporary drawing media and methods,
concentrating on the human figure and related
themes. A cross-cultural study of drawing in the
history of art, exploring a variety of aesthetic
traditions. Prerequisite: ART 2103. Lecture and
studio four hours.




ART 3107. Clay II: Intermediate Throwing/(3).F;S.


An intermediate clay course developing technical
skills using the potters wheel, plus the possible
combination of throwing with some handbuilding
techniques emphasizing form and design.
Prerequisite: ART 2107. Lecture and studio four
hours.




ART 3109. Metalsmithing and Jewelry Design III:
Hollowware/(3).F;S.


This course will introduce the smithing processes
of raising, stretching, sinking and shell forming
used in the creation of both traditional and
nontraditional hollowware forms. In addition,
students will continue to develop fabrication,
stone setting and casting techniques by adapting
and integrating them into more complex and
sophisticated forms. Prerequisite: ART 3009.
Lecture and studio four hours.




ART 3200. Painting III/(3).F.


Advanced study in painting which offers more
challenging assignments than the preceding two
courses. This course allows more choices and
greater flexibility in order to encourage the
development of individual techniques and styles.
Prerequisites: ART 2103 and 3100. Lecture and
studio four hours.




ART 3201. Sculpture II: Contemporary
Issues/(3).S.


Intermediate focus on traditional and/or
experimental sculptural processes, media or
techniques. Topics to be considered may include
installation art, digital art, performance art or
site specific sculpture as well as in-depth study
of traditional media. Course content will vary
from semester to semester. Prerequisites: ART 2101
and ART 2201. Lecture and studio four hours.




ART 3202. Graphic Design III/(3).F;S.


An intermediate course in the graphic design
sequence involving a wide range of design problems
with an emphasis on the development of conceptual
and technical proficiencies stressing skills
developed in typography. An introduction to the
Macintosh microcomputer applications for graphic
design. Prerequisites: ART 2026, 2103, 2104 and
3102. Lecture and studio four hours. (COMPUTER)




ART 3208. Fibers III/(3).F;S.


In-depth study in selected fibers processes.
Emphasis on fibers as a visual and problem-solving
process with enhanced technical applications.
Prerequisite: ART 3008. Lecture and studio four
hours.




ART 3225. Etching/(3).F.


Involvement with etching and other related
intaglio processes, both traditional and non-
traditional, with emphasis on thorough technical
understanding and resolved pictorial statements.
Prerequisites: ART 2103 and either ART 2025 or
2125 or permission of the instructor prior to
enrollment. Lecture and studio four hours.




ART 3226. Photographic Design II/(3).F;S.


An intermediate course in 35 MM black/white
photography. Assignments will be given that
address the creation of related serial imagery,
photojournalistic approaches, photodocumentation,
still-life and portraiture, aesthetic image
manipulation, conceptual problem-solving, and the
art of the decisive moment. Must have an
adjustable 35 MM SLR camera. Prerequisite: ART
2026. Lecture and studio four hours.




ART 3300. Painting IV/(3).F;S.


An advanced level course that allows independent
direction in approach and style. This course is
designed for serious, self-directed students who
can maintain a personal interest in and
involvement with painting. Prerequisite: ART 3200.
Lecture and studio four hours.




ART 3308. Fibers IV/(3).F;S.


Advanced studio production in fibers with
opportunities for presentations, discussion and
critiques in a group setting with fibers faculty
and other advanced level students. Students are
required to set course direction and goals with
approval of the instructor. Prerequisite: ART
3208. Lecture and studio four hours.




ART 3325. Lithography/(3).S.


The basic chemistry, processes and techniques of
black and white stone lithography with emphasis on
technical understanding and control and on the
development of personal visual statements. Color
and metal plate lithography will also be
introduced. Offered odd years only. Prerequisites:
ART 2103 and either 2025 or 2125. Lecture and
studio four hours.




ART 3330. United States Art History/(3).F.


A course that acquaints the student with the
evolution of art in the United States from
colonial times until the present. Offered odd
years only. Lecture three hours. Prerequisites:
ART 2030, 2130 or permission of the instructor.
(CORE: HUMANITIES)




ART 3400. Women Artists/(3).On Demand.


This course will provide a historical and
contemporary survey of women visual artists.
Lecture three hours.




ART 3422. Art Education: Pre-School Through Age
12/(3).F.


Art in the elementary schools and for non-
traditional groups of equivalent ages, considering
needs, abilities, and interests. Experiences
include philosophical approaches, lesson
preparation (including concept development),
instructional methods and materials,
interdisciplinary content, and practicum
experiences in the public schools and other
relevant situations. Laboratory will focus on
translating foundation studio experiences into
appropriate aesthetic experiences for children.
Prerequisites: ART 1001, 1002, 1003, and two
beginning studio courses. Prerequisites may be
waived for non-licensure students, with permission
of instructor. Lecture and laboratory four hours.
(SPEAKING)




ART 3430. History of Twentieth Century Art/(3).F.


A survey of leading movements in modern and
contemporary art from 1890 to the present. Offered
every other fall. Lecture three hours.
Prerequisites: ART 2030, 2130 or consent of the
instructor.




ART 3500. Independent Study/(1-4).F;S.


Majors in art may broaden and intensify their
program through individual research and
involvement in a given area of art. Prerequisite:
permission of the department chairperson.




ART 3520. Instructional Assistance/(1).F;S.


A supervised experience in the instructional
process on the university level through direct
participation in a classroom situation. Grading
will be on a satisfactory/unsatisfactory basis
only. Prerequisite: junior or senior standing. May
be repeated for a total credit of three semester
hours. Approved contract required.




ART 3530-3549. Selected Topics/(1-4).On Demand.




ART 3602. Special Topics in Graphic Design/(3).On
Demand.


Students examine in detail a specialty area in
graphic communication, through discussion,
research and creative studio work. Examples of
topics might include: sign, symbol and image;
illustration; packaging design; publication
design. Content to vary; may be repeated for
credit when content does not duplicate. Lecture
and studio four hours.




ART 3630. African Art/(3).S.


This course explores major themes in the study of
the visual arts in Africa. Works of art from the
ancient rock paintings of the Sahara, through the
ancient artistic traditions of Ife and Benin, to
the arts of the colonial and post colonial periods
are presented. Diverse forms of art works are
studied in their social, religious, and political
contexts. Prerequisite: Sophomore standing or
consent of the instructor. Offered odd years only.
Lecture three hours. (MULTI-CULTURAL)




ART 3730. Native Arts of the Americas/(3).On
Demand.


This course explores the Native Arts &
Architecture of North America, Pre-Columbian
Central America & Ancient South America. Diverse
forms of art works are studied in their social,
religious, and political contexts. The focus of
the course may be in any of the three major
cultural regions. Prerequisite: Sophomore standing
or consent of the instructor. Offered odd years
only. Lecture three hours. (MULTI-CULTURAL)




ART 4012. Exhibitions Practicum/(3).F;S.


Exhibitions research, selection, management,
presentation, and promotion in conjunction with
the operation of the Catherine J. Smith Gallery.
May be repeated for a total of nine hours credit.
Sophomore standing required. Lecture and practicum
three hours.




ART 4013. Business of Art/(3).On Demand.


An introduction to the theoretical and practical
issues encountered by artisans on a day-to-day
basis. The artisans will delve into various
business topics such as taxes, insurance,
bookkeeping, commission agreements, copyright
laws, and other applications necessary for
establishment of good business practices.
Prerequisites: 6 s.h. above the 2000 level in any
ONE studio area (excluding graphic design)  or 6
s.h. above the 3000 level in art history.
(WRITING)




ART 4014. Seminar/(3).S.


A special course offering based upon faculty and
student interest in advanced studies in art, art
history, art education, research, and
inter-disciplinary art. Course may be repeated
barring duplication of content. Times to be
arranged. Prerequisite: permission of the
instructor. (SPEAKING; WRITING)




ART 4030. Seminar in Art Criticism and
Theory/(3).S.


A seminar in the theory and criticism of art in
which leading methods of analysis are examined
through readings and discussion. Major emphasis is
placed upon the student developing a critical
sense of art. Offered each spring. Prerequisites:
ART 2030 or 2130 or consent of instructor. Lecture
three hours. (WRITING; SPEAKING)




ART 4102. Graphic Design IV/(3).F;S.


Advanced design problems with increased
complexity, with emphasis on design systems and
experimentation with various media. Encourages
awareness of contemporary design trends and their
historical predecessors. Prerequisites: ART 2103,
2026, and 3102; this course may be taken at the
same time as, but not before ART 3202. Lecture and
studio four hours.




ART 4109. Metalsmithing and Jewelry Design IV:
Advanced Fabrication, Casting and
Hollowware/(3).F;S.


Study of advanced techniques and processes
appropriate to developing an individual aesthetic
in the area of metalsmithing and jewelry design.
Students will complete a technical research
project. Prerequisite: ART 3109. Lecture and
studio four hours.




ART 4202. Graphic Design V/(3).F;S.


The culminating course in the graphic design major
sequence; stresses development of creativity and
technical proficiency; emphasis on
pre-professional training in advanced design
problems, portfolio preparation and presentation,
and related professional skills. Prerequisites:
ART 3202 and 3226; this course may be taken
at the same time as, but not before ART 4102.
Lecture and studio four hours. (SPEAKING)




ART 4300. Painting V/(3).F;S.


An advanced level course in painting processes
with emphasis on a professional level of
accomplishment, conceptual problem solving and
related research. Areas of inquiry will include
working on creative solutions of individually
defined aesthetic problems, employing experimental
techniques and/or refining advanced technical
applications. Prerequisite: ART 3300. Lecture and
studio four hours.




ART 4301. Sculpture III: Advanced
Sculpture/(3).F;S.


Advanced development of sculptural expression. The
students will be expected to develop a personal
approach to sculptural content and style as well
as develop standards of critical judgment in the
analysis of their own work. Prerequisite: ART 3101
and/or ART 3201. Lecture and studio four hours.




ART 4307. Clay III: Advanced Clay/(3).F;S.


Advanced study in clay including in-depth
individual exploration in one area of
concentration. Encourages the development of
individual techniques, skills and approaches
resulting in a more thorough knowledge of
contemporary trends and issues in clay.
Prerequisites: ART 2007 and 3007, or ART 2107 and
3107. Lecture and studio four hours.




ART 4308. Fibers V/(3).F;S.


Further advanced creative activity and studio
production in fibers with opportunities for
research, presentations, and critiques in a group
setting with fibers faculty and other advanced
students. The course emphasizes preparations for
Senior Studio. Course goals and directions will be
set by students with input from the instructor.
Prerequisite: ART 3308. Lecture and studio four
hours.




ART 4309. Metalsmithing and Jewelry Design V:
Advanced Studio/(3).F;S.


A self directed advanced course of study in which
the student will develop a contract with the
instructor that includes project descriptions,
selected readings and deadlines. Critiques will
take place in both group and individual settings.
Prerequisite: ART 4109. Lecture and studio four
hours.




ART 4325. Advanced Printmaking/(3).On Demand.


Continued investigation of processes and
directions introduced in beginning level
printmaking courses which will encourage
refinement of a more personalized artistic
expression. Emphasis will be given to examining
advanced techniques and contemporary issues in
printmaking. Prerequisites: ART 2103 and at least
two of the following: ART 2025, 2125, 3225, or
3325. Lecture and studio four hours.




ART 4326. Photographic Design V/(3).S.


This course is designed to allow students to work
at an advanced level in photography, to enhance
the aesthetic, intellectual and visual evolution
of personal work and to hone critical skills and
awareness of historical and theoretical issues in
the field. Prerequisites: ART 2026, ART 2126, and
ART 3226.




ART 4351. Studio Seminar/(3).F;S.


This course is designed to help students organize
and clarify ideas and images in preparation for
creating a coherent body of work in the senior
studio. When completed, this body of work will be
exhibited in a group show at the Catherine J.
Smith Gallery. This course will include planning
and writing a proposal, reading relevant art
criticism and theory, writing a research paper,
and documenting through sketches, models and oral
presentations. This seminar is restricted to BFA
Studio Art majors in their last year of study. It
is a prerequisite for Senior Studio courses: ART
4400, 4401, 4407, 4408, 4409, and 4425. (WRITING;
SPEAKING)




ART 4400. Senior Studio/Painting/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4300
and ART 4351, Studio Seminar. This is the BFA in
Studio Art degree's "capstone" course and must be
taken during the student's final semester prior to
graduation. (SPEAKING)




ART 4401. Senior Studio/Sculpture/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4301
and ART 4351, Studio Seminar. This is the BFA in
Studio Art degree's "capstone" course and must be
taken during the student's final semester prior to
graduation. (SPEAKING)




ART 4407. Senior Studio/Clay/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4307
and ART 4351, Studio Seminar. This is the BFA in
Studio Art degree's "capstone" course and must be
taken during the student's final semester prior to
graduation. (SPEAKING)




ART 4408. Senior Studio/Fibers/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4308
and ART 4351, Studio Seminar. This is the BFA in
Studio Art degree's "capstone" course and must be
taken during the student's final semester prior to
graduation. (SPEAKING)




ART 4409. Senior Studio/Metalsmithing and Jewelry
Design/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4309
and ART 4351, Studio Seminar. This is the BFA in
Studio Art degree's "capstone" course and must be
taken during the student's final semester prior to
graduation. (SPEAKING)




ART 4421. Art Education: Age 13 Through
Adulthood/(3).S.


Art in the secondary school and for
non-traditional groups, stressing personal
development, methods and materials, environmental
influences, and interdisciplinary relationships.
Practicum experiences will be in secondary
schools, and/or relevant alternate sites.
Prerequisite: ART 3422. Prerequisite may be waived
for non-licensure students, with permission of
instructor. Lecture and laboratory four hours.
(SPEAKING)




ART 4422. Art Education: Curriculum and
Professional Preparation/(3).F.


Curriculum study for the public school art teacher
and the non-traditional teaching situation based
upon an examination of the broader goals of art
education. Includes studies in curriculum theory,
development, management, and evaluation. For the
teacher licensure major. Prerequisite: ART 4421.
Prerequisite  may be waived for non-licensure
students, with permission of instructor. Lecture
and laboratory four hours.




ART 4425. Senior Studio/Printmaking/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4325
and ART 4351, Studio Seminar. This is the BFA in
Studio Art degree's "capstone" course and must be
taken during the student's final semester prior to
graduation. (SPEAKING)




ART 4426. Senior Studio/Photography/(3).F;S.


Senior Studio is the culminating course
requirement for the BFA degree in Studio Art. This
course is a concluding and major academic
experience for the advanced student. The student
will be given the chance to demonstrate an
emerging intellectual, visual and technical
maturity with respect to one's ability to resolve
meaningful artistic statements. Students taking
the course are expected to create a coherent body
of work in a selected area of emphasis, and refine
communication skills through three written
critical analysis statements and four oral
presentations. Participation in the Senior Studio
Exhibition is required. Prerequisites: ART 4326,
ART 4351, and one course from the list of approved
"Photography Options." This is the BFA in Studio
Art degree's "capstone" course and must be taken
during the student's final semester prior to
graduation. (SPEAKING)




ART 4521. Art Education Workshop/(1-3).On Demand.


An intensive course devoted to art instruction in
grades K-12, including the relationships of studio
art to teaching at selected levels. Art methods
and materials for grade levels will be examined.
Prerequisites: ART 4422 or permission of
instructor.




ART 4551. Studio Workshop/(1-3) On Demand.


An intensive course to be offered in selected
media such as drawing, printmaking, painting,
photography, sculpture, clay, fibers, alloys,
computer graphics, and others. Prerequisite:
portfolio review or permission of instructor.




ART 4602. Graphic Design Seminar/(3).On Demand.


Examination of current issues in graphic
design/communication with conceptual and
theoretical approaches for analyzing visual media.
Emphasis is placed on critical reading, research
and writing in a seminar atmosphere. Topics may
vary and may be repeated for credit when content
does not duplicate.




ART 4730. Asian Art/(3).On Demand.


The art forms of three Asian cultures -  India,
China, and Japan are explored. Particular
attention is devoted to painting, sculpture, and
architecture as well as the unique forms of each
culture. Offered odd years only. Lecture three
hours. Prerequisites: ART 2030, 2130 or permission
of the instructor.




ART 4900. Internship: Field Experience/(3-12).SS.


An on-the-job experience with artists, museums,
galleries, and businesses related to the promotion
of art professions. Graded on S/U basis.