Chapter Nine

Situated Knowledges:

The Science Question in Feminism and the Privilege of Partial Perspective1

Donna J. Haraway *

Academic and activist feminist enquiry has repeatedly tried to come to terms with the question of what we might mean by the curious and inescapable term 'objectivity'. We have used a lot of toxic ink and trees processed into paper decrying what they have meant and how it hurts us. The imagined 'they' constitute a kind of invisible conspiracy of masculinist scientists and Philosophers replete with grants and laboratories; and the imagined 'we' are the embodied others, who are not allowed not to have a body, a finite point of view, and so an inevitably disqualifying and polluting bias in any discussion of consequence outside our own little circles, where a 'mass'-subscription journal might reach a few thousand readers composed mostly of science-haters. At least, I confess to these paranoid fantasies and academic resentments lurking underneath some convoluted reflections in print under my name in the feminist literature in the history and philosophy of science. We, the feminists in the debates about science and technology, are the Reagan era's 'special interest groups' in the rarefied realm of epistemology, where traditionally what can count as knowledge is policed by philosophers codifying cognitive canon law. Of course, a special interest group is, by Reaganoid definition, any collective historical subject which dares to resist the stripped-down atomism of Star Wars, hyper-market, postmodern, media-simulated citizenship. Max Headroom doesn't have a body; therefore, he alone sees everything in the great communicator's empire of the Global Network. No wonder Max gets to have a naive sense of humour and a kind of happily regressive, pre-oedipal sexuality, a sexuality which we ambivalently -- and dangerously incorrectly -- had imagined was reserved for lifelong inmates of female and colonized bodies, and maybe also white male computer hackers in solitary electronic confinement.

It has seemed to me that feminists have both selectively and flexibly used and been trapped by two poles of a tempting dichotomy on the question of objectivity. Certainly I speak for myself here, and I offer the speculation that there is a collective discourse On these matters. On the one handy recent social studies of science and technology have made available a very strong social constructionist argument for all forms of knowledge claims, most certainly and especially scientific ones.2 In these tempting views, no insider's perspective is privileged, because all drawings Of inside-outside boundaries in knowledge are theorized as power moves, not moves towards truth. So, from the strong social constructionist perspective, why should we be cowed by scientists' descriptions of their activity and accomplishments; they and their patrons have stakes in throwing sand in our eyes. They tell parables about objectivity and scientific method to students in the first years of their initiation, but no practitioner of the high scientific arts would be caught dead acting on the textbook versions. Social constructionists make clear that official ideologies about objectivity and scientific method are particularly bad guides to how scientific knowledge is actually made. Just as for the rest of us, what scientists believe or say they do and what they really do have a very loose fit.

The only people who end up actually believing and, goddess forbid, acting on the ideological doctrines of disembodied scientific objectivity enshrined in elementary textbooks and technoscience booster literature are non-scientists, including a few very trusting philosophers. Of course, my designation of this last group is probably just a reflection of residual disciplinary chauvinism from identifying with historians of science and too much time spent with a microscope in early adulthood in a kind of disciplinary pre-oedipal and modernist poetic moment when cells seemed to be cells and organisms, organisms. Pace, Gertrude Stein. But then came the law of the father and its resolution of the problem of objectivity, solved by always already absent referents, deferred signifieds, split subjects, and the endless play of signifiers. Who wouldn't grow up warped? Gender, race, the world itself -- all seem just effects of warp speeds in the play of signifiers in a cosmic force field. All truths become warp speed effects in a hyper-real space of simulations. But we cannot afford these particular plays on words -- the projects of crafting reliable knowledge about the 'natural' world cannot be given over to the genre of paranoid or cynical science fiction. For political people, social constructionism cannot be allowed to decay into the radiant emanations of cynicism.

In any case, social constructionists could maintain that the ideological doctrine of scientific method and all the philosophical verbiage about epistemology were cooked up to distract our attention from getting to know the world effectively by practising the sciences. From this point of view, science -- the real game in town, the one we must play -- is rhetoric, the persuasion of the relevant social actors that one's manufactured knowledge is a route to a desired form of very objective power. Such persuasions must take account of the structure of facts and artefacts, as well as of language -- mediated actors in the knowledge game. Here, artefacts and facts are parts of the powerful art of rhetoric. Practice is persuasion, and the focus is very much on practice. All knowledge is a condensed node in an agonistic powerfield. The strong programme in the sociology of knowledge joins with the lovely and nasty tools of semiology and deconstruction to insist on the rhetorical nature of truth, including scientific truth. History is a story Western culture buffs tell each other; science is a contestable text and a power field; the content is the form.3 Period. The form in science is the artefactual-social rhetoric of crafting the world into effective objects. This is a practice of world-changing persuasions that take the shape of amazing new objects -- like microbes, quarks, and genes.

But whether or not they have the structure and properties of rhetorical objects, late twentieth-century scientific entities -- infective vectors (microbes), elementary particles (quarks), and biomolecular codes (genes) -- are not Romantic or modernist objects with internal laws of coherence.4 They are momentary traces focused by force fields, or they are information vectors in a barely embodied and highly mutable semiosis? ordered by acts of recognition and misrecognition. Human nature, encoded in its genome and its other writing practices, is a vast library worthy of Umberto Eco's imagined secret labyrinth in The Name of the Rose (1980). The stabilization and storage of this text of human nature promise to cost more than its writing. This is a terrifying view of the relationship of body and language for those of us who would still like to talk about reality with more confidence than we allow the Christian right's discussion of the Second Coming and their being raptured out of the final destruction of the world. We would like to think our appeals to real worlds are more than a desperate lurch away from cynicism and an act of faith like any other cult's, no matter how much space we generously give to all the rich and always historically specific mediations through which we and everybody else must know the world.

So, the further I get with the description of the radical social constructionist programme and a particular version of postmodernism, coupled to the acid tools of critical discourse in the human sciences, the more nervous I get. Like all neuroses, mine is rooted in the problem of metaphor, that is, the problem of the relation of bodies and language. For example, the force field imagery of moves in the fully textualized and coded world is the matrix for many arguments about socially negotiated reality for the postmodern subject. This world-as-code is, just for starters, a high-tech military field, a kind of automated academic battlefield, where blips of light called layers disintegrate (what a metaphor!) each other in order to stay in the knowledge and power game. Technoscience and science fiction collapse into the sun of their radiant (ir)reality -- war.5 It shouldn't take decades of feminist theory to sense the enemy here. Nancy Harstock (1983b) got all this crystal clear in her concept of abstract masculinity.

I, and others, started out wanting a strong tool for deconstructing the truth claims of hostile science by showing the radical historical specificity, and so contestability, of every layer of the onion of scientific and technological constructions, and we end up with a kind of epistemological electro-shock therapy, which far from ushering us into the high stakes tables of the game Of contesting public truths, lays us out on the table with self-induced multiple personality disorder. We wanted a way to go beyond showing bias in science (that proved too easy anyhow), and beyond separating the good scientific sheep from the bad goats of bias and misuse. It seemed promising to do this by the strongest possible constructionist argument that left no cracks for reducing the issues to bias versus objectivity, use versus misuse, science versus pseudo-science. We unmasked the doctrines of objectivity because they threatened our budding sense Of collective historical subjectivity and agency and our 'embodied' accounts of the truth, and we ended up with one more excuse for not learning any post-Newtonian physics and one more reason to drop the old feminist self-help practices of repairing our own cars. They're just texts anyway, so let the boys have them back. Besides these textualized postmodern worlds are scary, and we prefer our science fiction to be a bit more utopic, maybe like Woman on the Edge of Time or even Wanderground.

Some of us tried to stay sane in these disassembled and dissembling times by holding out for a feminist version of objectivity. Here, motivated by many of the same political desires, is the other seductive end of the duplicitous objectivity problem. Humanistic Marxism was polluted at the source by its structuring ontological theory of the domination of nature in the self-construction of man and by its closely related impotence to historicize anything women did that didn't quality for a wage. But Marxism was still a promising resource in the form of epistemological feminist mental hygiene that sought our own doctrines of objective vision. Marxist starting points offered tools to get to our versions of standpoint theories, insistent embodiment, a rich tradition of critiques of hegemony without disempowering positivisms and relativisms, and nuanced theories of mediation. Some versions of psychoanalysis aided this approach immensely, especially anglophone object relations theory, which maybe did more for US socialist-feminism for a time than anything from the pen of Marx or Engels, much less Althusser or any of the late pretenders to sonship treating the subject of ideology and science. 6

Another approach, 'feminist empiricism', also converges with feminist uses of Marxian resources to get a theory of science which continues to insist on legitimate meanings of objectivity and which remains leery of a radical constructivism conjugated with semiology and narratology (Harding, 1986, pp. 24-6, 161-2). Feminists have to insist on a better account of the world; it is not enough to show radical historical contingency and modes of construction for everything. Here, we, as feminists, find ourselves perversely conjoined with the discourse of many practising scientists, who, when all is said and done, mostly believe they are describing and discovering things by means of all their constructing and arguing. Evelyn Keller has been particularly insistent on this fundamental matter, and Harding calls the goal of these approaches a 'successor science'. Feminists have stakes in a successor science project that offers a more adequate, richer, better account of a world, in order to live in it well and in critical, reflective relation to our own as well as others' practices of domination and the unequal parts of privilege and oppression that make up all positions. In traditional philosophical categories, the issue is ethics and politics perhaps more than epistemology.

So, I think my problem and 'our' problem is how to have simultaneously an account of radical historical contingency for all knowledge claims and knowing subjects, a critical practice for recognizing our own 'semiotic technologies' for making meanings, and a no-nonsense commitment to faithful accounts of a 'real' world, one that can be partially shared and friendly to earth-wide projects of finite freedom, adequate material abundance, modest meaning in suffering, and limited happiness. Harding calls this necessary multiple desire a need for a successor science project and a postmodern insistence on irreducible difference and radical multiplicity of local knowledges. All components of the desire are paradoxical and dangerous, and their combination is both contradictory and necessary. Feminists don't need a doctrine of objectivity that promises transcendence, a story that loses track of its mediations just where someone might be held responsible for something, and unlimited instrumental power. We don't want a theory of innocent powers to represent the world, where language and bodies both fall into the bliss of organic symbiosis. We also don't want to theorize the world, much less act within it, in terms of Global Systems, but we do need an earth-wide network of connections, including the ability partially to translate knowledges among very different -- and power-differentiated -- communities. We need the power of modem critical theories of how meanings and bodies get made, not in order to deny meaning and bodies, but in order to live in meanings and bodies that have a chance for a future.

Natural, social, and human sciences have always been implicated in hopes like these. Science has been about a search for translation, convertibility, mobility of meanings, and universality -- which I call reductionism, when one language (guess whose) must be enforced as the standard for all the translations and conversions. What money does in the exchange orders of capitalism, reductionism does in the powerful mental orders of global sciences: there is finally only one equation. That is the deadly fantasy that feminists and others have identified in some versions of objectivity doctrines in the service of hierarchical and positivist orderings of what can count as knowledge. That is one of the reasons the debates about objectivity matter, metaphorically and otherwise. Immortality and omnipotence are not our goals. But we could use some enforceable, reliable accounts of things not reducible to power moves and agonistic, high status games of rhetoric or to scientistic, positivist arrogance. This point applies whether we are talking about genes, social classes, elementary particles, genders, races, or texts; the point applies to the exact, natural, social, and human sciences, despite the slippery ambiguities of the words objectivity and science as we slide around the discursive terrain. In our efforts to climb the greased pole leading to a usable doctrine of objectivity, I and most other feminists in the objectivity debates have alternatively, or even simultaneously, held on to both ends of the dichotomy, which Harding describes in terms of successor science projects versus postmodernist accounts of difference and I have sketched in this chapter as radical constructivism versus feminist critical empiricism. It is, of course, hard to climb when you are holding on to both ends of a pole, simultaneously or alternately. It is, therefore, time to switch metaphors.

The Persistence of Vision7

I would like to proceed by placing metaphorical reliance on a much maligned sensory system in feminist discourse: vision. Vision can be good for avoiding binary oppositions. I would like to insist on the embodied nature of all vision, and so reclaim the sensory system that has been used to signify a leap out of the marked body and into a conquering gaze from nowhere. This is the gaze that mythically inscribes all the marked bodies, that makes the unmarked category claim the power to see and not be seen, to represent while escaping representation. This gaze signifies the unmarked positions of Man and White, one of the many nasty tones of the world objectivity to feminist ears in scientific and technological, late industrial, militarized, racist and male dominant societies, that is, here, in the belly of the monster, in the United States in the late 1980s. I would like a doctrine of embodied objectivity that accommodates paradoxical and critical feminist science projects: feminist objectivity means quite simply situated knowledges.

The eyes have been used to signify a perverse capacity -- honed to perfection in the history of science tied to militarism, capitalism, colonialism, and male supremacy -- to distance the knowing subject from everybody and everything in the interests of unfettered power. The instruments of visualization in multinationalist, postmodernist culture have compounded these meanings of dis-embodiment. The visualizing technologies are without apparent limit; the eye of any ordinary primate like us can be endlessly enhanced by sonography systems, magnetic resonance imaging, artificial intelligence-linked graphic manipulation systems, scanning electron microscopes, computer-aided tomography scanners, colour enhancement techniques, satellite surveillance systems, home and office VDTS, cameras for every purpose from filming the mucous membrane lining the gut cavity of a marine worm living in the vent gases on a fault between continental plates to mapping a planetary hemisphere elsewhere in the solar system. Vision in this technological feast becomes unregulated gluttony; all perspective gives way to infinitely mobile vision, which no longer seems just mythically about the god-trick of seeing everything from nowhere, but to have put the myth into ordinary practice. And like the god-trick, this eye fucks the world to make techno-monsters. Zoe Sofoulis (1988) calls this the cannibal-eye of masculinist extra-terrestrial projects for excremental second birthing.

A tribute to this ideology of direct, devouring, generative, and unrestrictedvision, whose technological mediations are simultaneously celebrated and presented as utterly transparent, the volume celebrating the 100th anniversary of the National Geographic Society closes its survey of themagazine's quest literature, effected through its amazing photography, with two juxtaposed chapters. The first is on 'Space', introduced by the epigraph, 'The choice is the universe - or nothing' (Bryan, 1987, p. 352). Indeed. This chapter recounts the exploits of the space race and displays the colour-enhanced 'snapshots' of the outer planets reassembled from digitalized signals transmitted across vast space to let the viewer 'experience' the moment of discovery in immediate vision of the 'object'.8 These fabulous objects come to us simultaneously as indubitable recordings of what is simply there and as heroic feats of techno-scientific production. The next chapter is the twin of outer space: 'Inner Space', introduced by the epigraph, 'The stuff of stars has come alive' (Bryan, 1987, p. 454). Here, the reader is brought into the realm of the infinitesimal, objectified by means of radiation outside the wave lengths that 'normally' are perceived by hominid primates, i.e., the beams of lasers and scanning electron microscopes, whose signals are processed into the wonderful full-colour snapshots of defending T cells and invading viruses.

But of course that view of infinite vision is an illusion, a god-trick. I would like to suggest how our insisting metaphorically on the particularity and embodiment of all vision (though not necessarily organic embodiment and including technological mediation), and not giving in to the tempting myths of vision as a route to disembodiment and second-birthing, allows us to construct a usable, but not an innocent, doctrine of objectivity. I want a feminist writing of the body that metaphorically emphasizes vision again, because we need to reclaim that sense to find our way through all the visualizing tricks and powers Of modern sciences and technologies that have transformed the objectivity debates. We need to learn in our bodies, endowed with primate colour and stereoscopic vision, how to attach the objective to our theoretical and political scanners in order to name where we are and are not, in dimensions of mental and physical space we hardly know how to name. So, not so perversely, objectivity turns Out to be about particular and specific embodiment, and definitely not about the false vision promising transcendence of all limits and responsibility. The moral is simple: only partial perspective promises objective vision. This is an objective vision that initiates, rather than closes off, the problem of responsibility for the generativity of all visual practices. Partial perspective can be held accountable for both its promising and its destructive monsters. All Western cultural narratives about objectivity are allegories of the ideologies of the relations of what we call mind and body, of distance and responsibility, embedded in the science question in feminism. Feminist objectivity is about limited location and situated knowledge, not about transcendence and splitting of subject and object. In this way we might become answerable for what we learn how to see.

These are lessons which I learned in part walking with my dogs and wondering how the world looks without a fovea and very few retinal cells for colour vision, but with a huge neural processing and sensory area for smells. It is a lesson available from photographs of how the world looks to the compound eyes of an insect, or even from the camera eye of a spy satellite or the digitally transmitted signals of space probe-perceived differences 'near' Jupiter that have been transformed into coffee table colour photographs. The 'eyes' made available in modern technological sciences shatter any idea of passive vision; these prosthetic devices show us that all eyes, including our own organic ones, are active perceptual systems, building in translations and specific ways of seeing, that is, ways of life. There is no unmediated photograph or passive camera obscura in scientific accounts of bodies and machines; there are only highly specific visual possibilities, each with a wonderfully detailed, active, partial way of organizing worlds. All these pictures of the world should not be allegories of infinite mobility and interchangeability, but of elaborate specificity and difference and the loving care people might take to learn how to see faithfully from another's point of view, even when the other is our own machine. That's not alienating distance; that's a possible allegory for feminist versions of objectivity. Understanding how these visual systems work, technically, socially, and psychically ought to be a way of embodying feminist objectivity.

Many currents in feminism attempt to theorize grounds for trusting especially the vantage points of the subjugated; there is good reason to believe vision is better frozen below the brilliant space platforms of the powerful (Hartsock, 1983a; Sandoval, n.d.; Harding, 1986; Anzaldúa, 1987). Linked to this suspicion, this chapter is an argument for situated and embodied knowledges and against various forms of unlocatable, and so irresponsible, knowledge claims. Irresponsible means unable to be called into account. There is a premium on establishing the capacity to see from the peripheries and the depths. But here a serious danger of romaticizing and/or appropriating the vision of the less powerful while claiming to see from their positions. To see from below is neither easily learned nor unproblematic, even if 'we' 'naturally' inhabit the great underground terrain of subjugated knowledges. The positionings of the subjugated are not exempt from critical reexamination, decoding, deconstruction, and interpretation; that is, from both semiological and hermeneutic modes of critical enquiry. The standpoints of the subjugated are not 'innocent' positions. On the contrary, they are preferred because in principle they are least likely to allow denial of the critical and interpretative core of all knowledge. They are savvy to modes of denial through repression, forgetting, and disappearing acts -- ways of being nowhere while claiming to see comprehensively. The subjugated have a decent chance to be on to the god-trick and all its dazzling -- and, therefore, blinding -- illuminations. 'Subjugated' standpoints are preferred because they seem to promise more adequate, sustained, objective, transforming accounts of the world. But how to see from below is a problem requiring at least as much skill with bodies and language, with the mediations of vision, as the 'highest' techno-scientific visualizations.

Such preferred positioning is as hostile to various forms of relativism as to the most explicitly totalizing versions of claims to scientific authority. But the alternative to relativism is not totalization and single vision, which is always finally the unmarked category whose power depends on systematic narrowing and obscuring. The alternative to relativism is partial, locatable, critical knowledges sustaining the possibility of webs of connections called solidarity in politics and shared conversations in epistemology. Relativism is a way of being nowhere while claiming to be everywhere equally. The 'equality' of positioning is a denial of responsibility and critical enquiry. Relativism is theperfect mirror twin of totalization in the ideologies of objectivity; both denythe stakes in location, embodiment, and partial perspective; both make itimpossible to see well. Relativism and totalization are both 'god-tricks' promising vision from everywhere and nowhere equally and fully, common myths in rhetories surrounding science. But it is precisely in the politics and epistemology of partial perspectives that the possibility of sustained, rational, objective enquiry rests.

So, with many other feminists, I want to argue for a doctrine and practice of objectivity that privileges contestation, deconstruction, passionate construction, webbed connections, and hope for transformation of systems of knowledge and ways of seeing. But not just any partial perspective will do; we must be hostile to easy relativisms and holisms built out Of summing and subsuming parts. 'Passionate detachment' (Kuhn, 1982) requires more than acknowledged and self-critical partiality. We are also bound to seek perspective from those points of view, which can never be known in advance, which promise something quite extraordinary, that is, knowledge potent for constructing worlds less organized by axes of domination. In such a viewpoint, the unmarked category would really disappear -- quite a differencefrom simply repeating a disappearing act. The imaginary and the rational -- the visionary and objective vision -- hover close together. I think Harding's plea for a successor science and for postmodern sensibilities must be read to argue that this close touch of the fantastic element of hope for transformative knowledge and the severe check and stimulus of sustained critical enquiry are jointly the ground of any believable claim to objectivity or rationality not riddled with breath-taking denials and repressions. It is even possible to read the record of scientific revolutions in terms of this feminist doctrine of rationality and objectivity. Science has been utopian and visionary from the start; that is one reason 'we' need it.

A commitment to mobile positioning and to passionate detachment is dependent on the impossibility of innocent 'identity' politics and epistemologies as strategies for seeing from the standpoints of the subjugated in order to see well. One cannot 'be' either a cell or molecule -- or a woman, colonized person, labourer, and so on -- if one intends to see and see from these positions critically. 'Being' is much more problematic and contingent. Also, one cannot relocate in any possible vantage point without being accountable for that movement. Vision is always a question of the power to see -- and perhaps of the violence implicit in our visualizing practices. With whose blood were my eyes crafted? These points also apply to testimony from the position of 'oneself'. We are not immediately present to ourselves. Self-knowledge requires a sermiotic-material technology linking meanings and bodies. Self-identity is a bad visual system. Fusion is a bad strategy of positioning. The boys in the human sciences have called this doubt about self-presence the 'death of the subject', that single ordering point of will and consciousness. That judgement seems bizarre to me. I prefer to call this generative doubt the opening of non-isomorphic subjects, agents, and territories of stories unimaginable from the vantage point of the cyclopian, self-satiated eye of the master subject. The Western eye has fundamentally been a wandering eye, a travelling lens. These peregrinations have often been violent and insistent on mirrors for a conquering self -- but not always. Western feminists also inherit some skill in learning to participate in revisualizing worlds turned upside down in earth-transforming challenges to the views of the masters. All is not to be done from scratch.

The split and contradictory self is the one who can construct and join rational positionings and be accountable, the one who can interrogate conversations and fantastic imaginings that change history.9 Splitting, not being, is the privileged image for feminist epistemologies of scientific knowledge. 'Splitting' in this context should be about heterogeneous multiplicities that are simultaneously necessary and incapable of being squashed into isomorphic slots or cumulative lists. This geometry pertains within and among subjects. The topography of subjectivity is multi-dimensional; so, therefore, is vision. The knowing self is partial in all its guises, never finished, whole, simply there and original; it is always constructed and stitched together imperfectly, and therefore able to join with another, to see together without claiming to be another. Here is the promise of objectivity: a scientific knower seeks the subject position not of identity, but of objectivity; that is, partial connection. There is no way to 'be' simultaneously in all, or wholly in any, of the privileged (subjugated) positions structured by gender, race, nation, and class. And that is a short list of critical positions. The search for such a 'full' and total position is the search for the fetishized perfect subject of oppositional history, sometimes appearing in ferninist theory as the essentialized Third World Woman (Mohanty, 1984). Subjugation is not grounds for an ontology; it might be a visual clue. Vision requires instruments of vision; an optics is a politics of positioning. Instruments of vision mediate standpoints; there is no immediate vision from the standpoints of the subjugated. Identity, including self-identity, does not produce science; critical positioning does, that is, objectivity. Only those occupying the positions of the dominators are self-identical, unmarked, disembodied, unmediated, transcendent, born again. It is unfortunately possible for the subjugated to lust for and even scramble into that subject position -- and then disappear from view. Knowledge from the point of view of the unmarked is truly fantastic, distorted, and so irrational. The only position from which objectivity could not possibly be practised and honoured is the standpoint of the master, the Man, the One God, whose Eye produces, appropriates, and orders all difference. No one ever accused the God of monotheism of objectivity, only of indifference. The god-trick is self-identical, and we have mistaken that for creativity and knowledge, omniscience even.

Positioning is, therefore, the key practice grounding knowledge organized around the imagery of vision, as so much Western scientific and philosophic discourse is organized. Positioning implies responsibility for our enabling practices. It follows that politics and ethics ground struggles for the contestsover what may count as rational knowledge. That is, admitted or not, politics and ethics ground struggles over knowledge projects in the exact, natural, social, and human sciences. Otherwise, rationality is simply impossible, an optical illusion projected from nowhere comprehensively. Histories of science may be powerfully told as histories of the technologies. These technologies are ways of life, social orders, practices of visualization. Technologies are skilled practices. How to see? Where to see from? What limits to vision? What to see for? Whom to see with? Who gets to have more than one point of view? Who gets blinkered? Who wears blinkers? Who interprets the visual field? What other sensory powers do we wish to cultivate besides vision? Moral and political discourse should be the paradigm of rational discourse in the imagery and technologies of vision. Sandra Harding's claim, or observation, that movements of social revolution have most contributed to improvements in science might be read as a claim about the knowledge consequences of new technologies of positioning. But I wish Harding had spent more time remembering that social and scientific revolutions have not always been liberatozy, even if they have always been visionary. Perhaps this point could be captured in another phrase: the science question in the military. Struggles over what will count as rational accounts of the world are struggles over how to see. The terms of vision: the science question in colonialism; the science question in exterminism (Sofoulis, 1988); the science question in feminism.

The issue in politically engaged attacks on various empiricisms, reductionisms, or other versions of scientific authority should not be relativism, but location. A dichotomous chart expressing this point might look like this:

universal rationality ethnophilosophies
common language heteroglossia
new organon deconstruction
unified field theory opppositional positioning
world system local knowledges
master theory webbed accounts

But a dichotomous chart misrepresents in a critical way the positions of embodied objectivity which I am trying to sketch. The primary distortion is the illusion of symmetry in the chart's dichotomy, making any positionappear, first, simply alternative and, second, mutually exclusive. A map of tensions and resonances between the fixed ends of a charged dichotomy better represents the potent politics and epistemologies of embodied, therefore accountable, objectivity. For example, local knowledges have also to be in tension with the productive structurings that force unequal translations and exchanges -- material and semiotic -- within the webs ofknowledge and power. Webs can have the property of systematicity, even of centrally structured global systems with deep filaments and tenacious tendrils into time, space and consciousness, the dimensions of world history. Feminist accountability requires a knowledge tuned to resonance, not to dichotomy. Gender is a field of structured and structuring difference, where the tones of extreme localization, of the intimately personal and individualized body, vibrate in the same field with global high tension emissions. Feminist embodiment, then, is not about fixed location in a reified body, female or otherwise, but about nodes in fields, inflections in orientations,and responsibility for difference in material-semiotic fields of meaning. Embodiment is significant prosthesis; objectivity cannot be about fixed visions when what counts as an object is precisely what world history turns out to be about.

How should one be positioned in order to see in this situation of tensions, resonances, transformations, resistances, and complicities? Here, primate vision is not immediately a very powerful metaphor or technology for feminist political-epistemological clarification, since it seems to present to consciousness already processed and objectified fields; things seem already fixed and distanced. But the visual metaphor allows one to go beyond fixed appearances, which are only the end products. The metaphor invites us to investigate the varied apparatuses of visual production, including the prosthetic technologies interfaced with our biological eyes and brains. And here we find highly particular machineries for processing regions of the electromagnetic spectrum into our pictures of the world. It is in the intricacies of these visualization technologies in which we are embedded that we will find metaphors and means for understanding and intervening in the patterns of objectification in the world, that is, the patterns of reality for which we must be accountable. In these metaphors we find means for appreciating simultaneously both the concrete, 'real' aspect and the aspect of semiosis and production in what we call scientific knowledge.

I am arguing for politics and epistemologies of location, positioning, and situating, where partiality and not universality is the condition of being heard to make rational knowledge claims. These are claims on people's lives; the view from a body, always a complex, contradictory, structuring and structured body, versus the view from above, from nowhere, from simplicity. Only the god-trick is forbidden. Here is a criterion for deciding the science question in militarism, that dream science/technology of perfect language, perfect communication, final order.

Feminism loves another science: the sciences and politics of interpretation, translation, stuttering, and the partly understood. Feminism is aboutthe sciences of the multiple subject with (at least) double vision. Feminism is about a critical vision consequent upon a critical positioning in in-homogeneous gendered social space.10 Translation is always interpretative,critical, and partial. Here is a ground for conversation, rationality, and objectivity -- which is power-sensitive, not pluralist, 'conversation'. It is not even the mythic cartoons of physics and mathematics -- incorrectly caricatured in anti-science ideology as exact, hyper-simple knowledges -- that have come to represent the hostile other to feminist oaradigmatic models of scientific knowledge, but the dreams of the perfectly known in high-technology, permanently militarized scientific productions and positionings, the god-trick of a Star Wars paradigm of rational knowledge. So location is about vulnerability; location resists the politics of closure, finality, or, to borrow from Althusser, feminist objectivity resists 'simplification in the last instance'. That is because feminist embodiment resists fixation and is insatiably curious about the webs of differential positioning. There is no single feminist standpoint because our maps require too many dimensions for that metaphor to ground our visions. But the feminist standpoint theorists' goal Of an epistemology and politics of engaged, accountable positioning remains eminently potent. The goal is better accounts of the world, that is, 'science'.

Above all, rational knowledge does not pretend to disengagement: to be from everywhere and so nowhere, to be free from interpretation, from being represented, to be fully self-contained or fully formalizable. Rational knowledge is a process of ongoing critical interpretation among 'fields' of interpreters and decoders. Rational knowledge is power-sensitive conversation (King, 1987a):

       hermeneutics:semiology::critical interpretation:codes.
Decoding and transcoding plus translation and criticism; all are necessary. So science becomes the paradigmatic model not of closure, but of that which is contestable and contested. Science becomes the myth not of what escapes human agency and responsibility in a realm above the fray, but rather of accountability and responsibility for translations and solidarities linking the cacophonous visions and visionary voices that characterize the knowledges of the subjugated. A splitting of senses, a confusion of voice and sight, rather than clear and distinct ideas, becomes the metaphor for the ground of the rational. We seek not the knowledges ruled by Phallogocentrism (nostalgia for the presence of the One true Word) and disembodied vision, but those ruled by partial sight and limited voice. We do not seek partiality for its own sake, but for the sake of the connections and unexpected openings situated knowledges make possible. The only way to find a larger vision is to be somewhere in particular. The science question in feminism is about objectivity as positioned rationality. Its images are not the products of escape and transcendence of limits, i.e., the view from above, but the joining of partial views and halting voices into a collective subject position that promises a vision of the means of ongoing finite embodiment, of living within limits and contradictions, i.e., of views from somewhere.

Objects as Actors: the Apparatus of Bodily Production

Throughout this reflection on 'objectivity', I have refused to resolve the ambiguities built into referring to science without differentiating its extraordinary range of contexts. Through the insistent ambiguity, I have foregrounded a field of commonalities binding exact, physical, natural, social, political, biological, and human sciences; and I have tied this whole heterogeneous field of academically (and industrially, for example, in publishing, the weapons trade, and pharmaceuticals) institutionalized knowledge production to a meaning of science that insists on its potency in ideological struggles. But, partly in order to give play to both the specificities and the highly permeable boundaries of meanings in discourse on science, I would like to suggest a resolution to one ambiguity. Throughout the field of meanings constituting science, one of the commonalities concerns the status of any object of knowledge and of related claims about the faithfulness of our accounts to a 'real world', no matter how mediated for us and no matter how complex and contradictory these worlds may be. Feminists, and others who have been most active as critics of the sciences and their claims or associated ideologies, have shied away from doctrines of scientific objectivity in part because of the suspicion that an 'object' of knowledge is a passive and inert thing. Accounts of such objects can seem to be either appropriations of a fixed and determined world reduced to resource for the instrumentalist projects of destructive Western societies, or they can be seen as masks for interests, usually dominating interests.

For example, 'sex' as an object of biological knowledge appears regularly in the guise of biological determinism, threatening the fragile space for social constructionism and critical theory, with their attendant possibilities for active and transformative intervention, called into being by feminist concepts of gender as socially, historically, and semiotically positioned difference. And yet, to lose authoritative biological accounts of sex, which set up productive tensions with its binary pair, gender, seems to be to lose too much; it seems to be to lose not just analytic power within a particular Western tradition, but the body itself as anything but a blank page for social inscriptions, including those of biological discourse. The same problem of loss attends a radical reduction' of the objects of physics or of any other sciences to the ephemera of discursive production and social construction.11

But the difficulty and loss are not necessary. They derive partly from the analytical tradition, deeply indebted to Aristotle and to the transformative history of 'White Capitalist Patriarchy' (how may we name this scandalous Thing?) that turns everything into a resource for appropriation, in which an object of knowledge is finally itself only matter for the seminal power, the act, of the knower. Here, the object both guarantees and refreshes the power of knowledge must of the knower, but any status as agent in the productions be denied the object. It -- the world -- must, in short, be objectified as thing, not as an agent; it must be matter for the self-formation of the only social being in the productions of knowledge, the human knower. Zoe Sofoulis (1988) identified the structure of this mode of knowing in technoscience as 'resourcing' -- the second-birthing of Man through the homogenizing of all the world's body into resource for his perverse projects. Nature is only the raw material of culture, appropriated, preserved, enslaved, exalted, or otherwise made flexible for disposal by culture in the logic of capitalist colonialism. Similarly, sex is only the matter to the act of gender; the productionist logic seems inescapable in traditions of Western binarisms. This analytical and historical narrative logic accounts for my nervousness about the sex/gender distinction in the recent history of feminist theory. Sex is 'resourced' for its representation as gender, which 'we' can control. It has seemed all but impossible to avoid the trap of an appropriationist logic of domination built into the nature/culture binarism and its generative lineage, including the sex/gender distinction.

It seems clear that feminist accounts of objectivity and embodiment -- that is, of a world -- of the kind sketched in this chapter require a deceptively simple manoeuvre within inherited Western analytical traditions, a manoeuvre begun in dialectics, but stopping short of the needed revisions. Situated knowledges require that the object of knowledge be pictured as an actor and agent, not a screen or a ground or a resource, never finally as slave to the master that closes off the dialectic in his unique agency and authorship of 'objective' knowledge. The point is paradigmatically clear in critical approaches to the social and human sciences, where the agency of people studied itself transforms the entire project of producing social theory. Indeed, coming to terms with the agency of the 'objects' studied is the only way to avoid gross error and false knowledge of many kinds in these sciences. But the same point must apply to the other knowledge projects called sciences. A corollary of the insistence that ethics and politics covertly or overtly provide the bases for objectivity in the sciences as a heterogeneous whole, and not just in the social sciences, is granting the status of agent/actor to the 'objects' of the world. Actors come in many and wonderful forms. Accounts of a 'real' world do not, then, depend on a logic of 'discovery', but on a power-charged social relation of 'conversation'. The world neither speaks itself nor disappears in favour of a master decoder. The codes of the world are not still, waiting only to be read. The world is not raw material for humanization; the thorough attacks on humanism, another branch of 'death of the subject' discourse, have made this point quite clear, In some critical sense that is crudely hinted at by the clumsy category of the social or of agency, the world encountered in knowledge projects is an active entity. Insofar as a scientific account has been able to engage this dimension of the world as object of knowledge, faithful knowledge can be imagined and can make claims on us. But no particular doctrine of representation or decoding or discovery guarantees anything. The approach I am recommending is not aversion of 'realism', which has proved a rather poor way of engaging with the world's active agency.

My simple, perhaps simple-minded, manoeuvre is obviously not new in Western philosophy, but it has a special feminist edge to it in relation to the science question in feminism and to the linked questions of gender as situated difference and of female embodiment. Ecofeminists have perhaps been most insistent on some version of the world as active subject, not as resource to be mapped and appropriated in bourgeois, Marxist, or masculinist projects. Acknowledging the agency of the world in knowledge makes room for some unsettling possibilities, including a sense of the world's independent sense of humour. Such a sense of humour is not comfortable for humanists and others committed to the world as resource. Richly evocative figures exist for feminist visualizations of the world as witty agent. We need not lapse into an appeal to a primal mother resisting becoming resource. The Coyote or Trickster, embodied in American Southwest Indian accounts, suggests our situation when we give up mastery but keep searching for fidelity, knowing all the while we will be hoodwinked. I think these are useful myths for scientists who might be our allies. Feminist objectivity makes room for surprises and ironies at the heart of all knowledge production; we are not in charge of the world. We just live here and try to strike up non-innocent conversations by means of our prosthetic devices, including our visualization technologies. No wonder science fiction has been such a rich writing practice in recent feminist theory. I like to see feminist theory as a reinvented coyote discourse obligated to its enabling sources in many kinds of heterogeneous accounts of the world.

Another rich feminist practice in science in the last couple of decades illustrates particularly well the 'activation' of the previously passive categories of objects of knowledge. The activation permanently problematizes binary distinctions like sex and gender, without however eliminating their strategic utility. I refer to the reconstructions in primatology, especially but not only women's practice as primatologists, evolutionary biologists, and behavioural ecologists, of what may count as sex, especially as female sex, in scientific accounts (Haraway, 1989b). The body, the object of biological discourse, itself becomes a most engaging being. Claims of biological determinism can never be the same again. When female 'sex' has been so thoroughly re-theorized and revisualized that it emerges as practically indistinguishable from 'mind', something basic has happened to the categories of biology. The biological female peopling current biological behavioural accounts has almost no Passive properties left. She is structuring and active in every respect; the 'body' is an agent, not a resource. Difference is theorized biologically as situational, not intrinsic, at every level from gene to foraging pattern, thereby fundamentally changing the biological politics of the body. The relations between sex and gender have to be categorically reworked within these frames of knowledge. I would like to suggest this trend in explanatory strategies in biology as an allegory for interventions faithful to projects of feminist objectivity. The point is not that these new pictures of the biological female are simply true or not open to contestation and conversation. Quite the opposite. But these pictures foreground knowledge as situated conversation at every level of its articulation. The boundary between animal and human is one of the stakes in this allegory, as well as that between machine and organism.

So I will close with a final category useful to a feminist theory of situated knowledges: the apparatus of bodily production. In her analysis of the production of the poem as an object of literary value, Katie King offers tools that clarify matters in the objectivity debates among feminists. King suggests the term 'apparatus of literary production' to highlight the emergence of what is embodied as literature at the intersection of art, business, and technology. The apparatus of literary production is a matrix from which 'literature' is born. Focusing on the potent object of value called the 'poem', King applies her analytic frame to the relation of women and writing technologies (King, 1987b). I would like to adapt her work to understanding the generation -- the actual production and reproduction -- of bodies and other objects of value in scientific knowledge projects. At first glance, there is a limitation to using King's scheme inherent in the 'facticity' of biological discourse that is absent from literary discourse and its knowledge claims. Are biological bodies 'produced' or 'generated' in the same strong sense as poems? From the early stirrings of Romanticism in the late eighteenth century, many poets and biologists have believed that poetry and organisms are siblings. Frankenstein may be read as a meditation on this proposition. I continue to believe in this potent proposition, but in a postmodern and not a Romantic manner of belief I wish to translate the ideological dimensions of 'facticity' and 'the organic' into a cumbersome entity called a 'material-semiotic actor'. This unwieldy term is intended to highlight the object of knowledge as an active, meaning-generating axis of the apparatus of bodily production, without ever implying immediate presence of such objects or, what is the same thing, their final or unique determination of what can count as objective knowledge at a particular historical juncture. Like King's objects called 'poems', which are sites of literary production where language also is an actor independent of intentions and authors, bodies as objects of knowledge are material-semiotic generative nodes. Their boundaries materialize in social interaction. Boundaries are drawn by mapping practices; 'objects' do not pre-exist as such. Objects are boundary projects. But boundaries shift from within; boundaries are very tricky. What boundaries provisionally contain remains generative, productive of meanings and bodies. Siting (sighting) boundaries is a risky practice.

Objectivity is not about dis-engagement, but about mutual and usually unequal structuring, about taking risks in a world where 'we' are permanently mortal, that is, not in 'final' control. We have, finally, no clear and distinct ideas. The various contending biological bodies emerge at the intersection of biological research and writing, medical and other business practices, and technology, such as the visualization technologies enlisted as metaphors in this chapter. But also invited into that node of intersection is the analogue to the lively languages that actively intertwine in the production of literary value: the coyote and protean embodiments of a world as witty agent and actor. Perhaps the world resists being reduced to mere resource because it is -- not mother/matter/mutter -- but coyote, a figure for the always problematic, always potent tie of meaning and bodies. Feminist embodiment, feminist hopes for partiality, objectivity and situated know-ledges, turn on conversations and codes at this potent node in fields of possible bodies and meanings. Here is where science, science fantasy, and science fiction converge in the objectivity question in feminism. Perhaps our hopes for accountability, for politics, for ecofeminism, turn on revisioning the world as coding trickster with whom we must learn to converse.

  1. This chapter originated as a commentary on Harding (1986), at the Western Division meetings of the American Philosophical Association, San Francisco, March 1987. Support during the writing of this paper was generously provided by the Alpha Fund of the Institute for Advanced Study, Princeton, New Jersey. Thanks especially to Joan Scott, Rayna Rapp, Judy Newton, Judy Buder, Lila Abu-Lughod, and Dorinne Kondo.
  2. For example, see Knorr-Cetina and Mulkay (1983); Bijker et al. (1987); and especially, Latour (1984, 1988). Borrowing from Michel Toumier's Vendredi (1967), Latour's brilliant and maddening aphoristic polemic against all forms of reductionism makes the essential point for feminists: 'Méfiez-vous de la pureté; c'est le vitriol de l'âme' (Latour, 1984, p. 171). Latour is not otherwise a notable feminist theorist, but he might be made into one by readings as perverse as those he makes of the laboratory, that great machine for making significant mistakes faster than anyone else can, and so gaining world-changing power. The laboratory for Latour is the railroad industry of epistemology, where facts can only be made to run on the tracks laid down from the laboratory out. Those who control the railroads control the surrounding territory. How could we have forgotten? But now it's not so much the bankrupt railroads we need as the satellite network. Facts run on lightbeams these days.
  3. For an elegant and very helpful elucidation of a non-cartoon version of this argument, see White (1987). I still want more; and unfulfilled desire can be a powerful seed for changing the stories.
  4. In her analysis exploring the fault line between modernism and postmodernism in ethnography and anthropology -- in which the high stakes are the authorization or prohibition to craft comparative knowledge across 'cultures', from some epistemologically grounded vantage point either inside, outside, or in dialogical relation with any unit of analysis -- Marilyn Strathern (1987a) made the crucial observation that it is not the written ethnography that is parallel to the work of art as object-of-knowledge, but the culture. The Romantic and modernist natural-technical objects of knowledge, in science and in other cultural practice, stand on one side of this divide. The postmodernist formation stands on the other side, with its 'anti-aesthetic' of permanently split, problematized, always receding and deferred 'objects' of knowledge and practice, including signs, organisms, systems, selves, and cultures. 'Objectivity' in a postmodern frame cannot be about unproblematic objects; it must be about specific prosthesis and translation. Objectivity, which at root has been about crafting comparative knowledge (how to name things to best able and to be like each other), becomes a question of the politics of redrawing of boundaries in order to have non-innocent conversations and connections. What is at stake in the debates about modernism and postmodernism is the pattern of relationships between and within bodies and language.
  5. Zoe Sofoulis (1988) has produced a dazzlingly (she will forgive me the metaphor) theoretical treatment of technoscience, the psychoanalysis of science fiction culture, and the metaphories of extra-terrestrialism, including a wonderful focus on the ideologies and philosophies of light, illumination, and discovery in Western mythics of science and technology. My essay was revised in dialogue with Sofoutis's arguments and metaphors in her PhD dissertation.
  6. Crucial to this discussion are Harding (1986), Keller (1985), Hartsock (1983a, 1983b), Flax (1983, 1987), Keller and Grontkowski (1983), H. Rose (1986), Haraway (1985; this vol. pp. 149-81), and Petchesky (1987).
  7. John Varley's science fiction short story called 'The Persistence of Vision' is part of the inspiration for this section. In the story, Varley constructs a utopian community designed and built by the deaf-blind. He then explores these people's technologies and other mediations of communication and their relations to sighted children and visitors (Varley, 1978). In 'Blue Champagne', Varley (1986) transmutes the theme to interrogate the politics of intimacy and technology for a paraplegic young woman whose prosthetic device, the golden gypsy, allows her full mobility. But since the infinitely costly device is owned by an intergalactic communications and entertainment empire for which she works as a media star making 'feelies', she may keep her technological, intimate, enabling, other self only in exchange for her complicity in the commodification of an experience. What are her limits to the reinvention of experience for sale? Is the personal political under the sign of simulation? One way to read Varley's repeated investigations of finally always limited embodiments, differently abled beings, prosthetic technologies, and cyborgian encounters with their finitude despite their extraordinary transcendence of 'organic' orders is to find an allegory for the personal and political in the historical mythic time of the late twentieth century, the era of techno-biopolitics. Prosthesis becomes a fundamental category for understanding our most intimate selves. Prosthesis is semiosis, the making of meanings and bodies, not for transcendence but for power-charged communication.
  8. I owe my understanding of the experience of these photographs to Jim Clifford, University of California at Santa Cruz, who identified their 'land ho!' effect on the reader.
  9. Joan Scott reminded me that Teresa de Lauretis (1986a, pp. 14-15) put it like this:
  10. Differences among women may be better understood as differences within women ... But once understood in their constitutive power -- once it is understood, that is, that these differences not only constitute each woman's consciousness and subjective limits but all together define the female subject of feminism in its very specificity, its inherent and at least for now irreconcilable contradiction -- these differences, then, cannot be again collapsed into a fixed identity, a sameness of an women as Woman, or a representation of Feminism as a coherent and available image.
  11. Harding (1986, p. 18) suggested that gender has three dimensions, each historically specific: gender symbolism, the social-sexual division of labour, and processes of constructing individual gendered identity. I would enlarge her point to note that there is no reason to expect the three dimensions to co-vary or co-determine each other, at least not directly. That is, extremely steep gradients between contrasting terms in gender symbolisin may very well not correlate with sharp social-sexual divisions of labour or social power, but may be closely related to sharp racial stratification or something else. Similarly, the processes of gendered subject formation may not be directly illuminated by knowledge of the sexual division of labour or the gender symbolism in the particular historical situation under examination. On the other hand, we should expect mediated relations among the dimensions. The mediations might move through quite different social axes of organization of both symbols, practice, and identity, such as race. And vice versa. I would suggest also that science, as well as gender or race, might be usefully broken up into such a multi-part scheme of symbolism, social practice, and subject position. More than three dimensions suggest themselves when the parallels are drawn. The different dimensions of, for example, gender, race, and science might mediate relations among dimensions on a parallel chart. That is, racial divisions of labour might mediate the patterns of connection between symbolic connections and formation of individual subject positions on the science or gender chart. Or formations of gendered or racial subjectivity might mediate the relations between scientific social division of labour and scientific symbolic patterns.
  12. The chart below begins an analysis by parallel dissections. In the chart (and in reality?), both gender and science are analytically asymmetrical; i.e., each term contains and obscures a structuring hierarchicalized binarism, sex/gender and nature/science. Each binarism orders the spent term by a logic of appropriation, as resource to product, nature to culture, potential to actual. Both poles of the binarism are constructed and structure each other dialectically. Within each voiced or explicit term, further asymmetrical splittings can be excavated, as from gender, masculine to feminine, and from science, hard sciences to soft sciences. This is a point about remembering how a particular analytical tool works, willy nilly, intended or not. The chart reflects common ideological aspects of discourse on science and gender and may help as an analytical tool to crack open mystified units like Science or Woman.

    Gender Science
    symbolic system symbolic system
    social division of labour
    (by sex, race, etc.)
    social divison of labour
    (by craft, industrial, or post-industrial logics)
    individual identity/subject position individual identity/subject position
    material culture
    (gender paraphernalia and daily gender technologies; the narrow tracks on which sexual difference runs)
    material culture
    (laboratories: the narrow tracks on which facts run)
    dialectic of construction and discovery dialectic of construction and discovery

  13. Evelyn Keller (1987) insists on the important possibilities opened up by the construction of the intersection of the distinction between sex and gender, on the one hand, and nature and science, on the other. She also insists on the need to hold to some non-discursive grounding in 'sex' and 'nature', perhaps what I am calling the 'body' and 'world'.

Donna J. Haraway, Chapter 9, "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective" in Simians, Cyborgs, and Women: the Reinvention of Nature (New York: Routledge, 1991), pp. 183-201.

Copyright © 1991 Donna J. Haraway, all rights reserved. Reprinted with kind permission from the copyright holder. No part of this text may be reprinted or disseminated beyond personal use without permission from the copyright holder.