Watauga
College
Interdisciplinary
Studies
College of Arts
& Sciences
Appalachian State University |
Future Histories:
Reading, Writing, and Remembering
After the Internet
Watauga
College, Tools
of Human Understanding
Fall 2000, M T TH 1:00-1:50 / 2:00-2:50

Course Description:
Watauga College "Tools" is a course designed to hone your reading and
writing skills, with each section providing students a different variety
of interdisciplinary reading and writing assignments aimed at this goal.
In this section we will be reading, writing, and discussing texts dealing
with the intersections of technology, memory, writing, and culture collected
under the title of "Future Histories." Over the course of the semester,
you will be asked to read, think, speak, and write about these issues as
they have influenced both your own life and the lives of the authors we
will be reading. Since it is no longer true that only books are "read"
and papers "written," we will also be reading films, videos, and the world
wide web and our writing will include on-line writing assignments as well
as more traditional ink and paper. About a third of the class is also enrolled
in the Watauga College area course, "Exploring
the Wired World." These students will be asked to share their technical
knowledge with the rest us and by the end of the semester you will produce,
as teams, on-line projects based on your semester's writings.
Textbooks:
Gibaldi, Joseph. MLA
Handbook for Writers of Research Papers, Fifth Edition. New York: The
Modern Language Association of America, 1999.
Lynch, Patrick J., and Sarah Horton. Web
Style Guide: Basic Design Principles for Creating Web Sites. New Haven:
Yale University Press, 1999.
Piercy, Marge. Woman
on the Edge of Time. New York: Fawcett Crest, 1976.
Additional readings are available on Reserve and Electronic
Reserve at Belk Library.
Course Requirements:
The most important requirements for this course are regular class attendance,
participation, and preparation. You should come prepared to ask and answer
questions and to discuss the readings each day. The formal grading requirements
are as follows:
Class Participation 25%
Writing 50%
Final Group Project 25%
The class participation portion of your grade will be based on regular
class attendance and participation as well as on periodic homeworks, in-class
writing assignments, and group work. Two absences are allowed during the
semester, each additional absence will lower your class participation grade
by one letter grade. More than six absences and/or failure to complete
any of the written assignments discussed below are grounds for failing
the course.
There will be six formal writing assignments during the semester. Late
papers will be docked one-third of a letter grade for each day late. You
will be required to substantially revise, rewrite, and resubmit two of
these papers, and each of these revised papers will count 25% of your grade.
Specifics on these assignments will be handed out at a later date.
There will be a final group project where teams will publish their semester's
work on-line and present their web projects to the class at a final symposium
during our regularly scheduled final exam time. More information on this
assignment will be handed out at a later date.
With regard to papers and all other assignments for this course, you
are expected to know and follow the current ASU
code of academic integrity.
Tentative Class Schedule:
|
Week
|
Date |
Assignment |
|
1
|
TH 8/17 |
Introductions. Browse these writing resources. |
|
|
|
|
2
|
M 8/21 |
Friedrich Nietzsche, "On the Use and Abuse of
History For Life,"
Forward
and Part I.
Also browse these internet resources on Nietzsche. |
|
T 8/22 |
Parts
II and III. |
|
TH 8/24 |
Parts
VI and VII. |
|
|
|
|
3
|
M 8/28 |
MLA Handbook for Writers of Research Papers, pp. 1-36. Meet
at Belk Library. Go to the Electronic Library Lab on the main floor where
we will meet with Allan Scherlen. |
|
T 8/29 |
Walter Benjamin, "Unpacking
My Library" (On Reserve and Electronic Reserve at Belk Library). Also
browse these internet resources on Benjamin. |
|
TH 8/31 |
Scavenger Hunt. |
|
|
|
|
4
|
|
LABOR
DAY |
|
T 9/5 |
First writing assignment due at the beginning
of class. Bring three copies of your finished paper to class. Also
browse these resources on peer
editing. |
|
|
CONVOCATION / ASSESSMENT DAY |
|
|
|
|
5
|
M 9/11 |
Sigmund Freud, "Screen
Memories" (On Reserve and Electronic Reserve at Belk Library). Also
browse these internet resources on Freud. |
|
T 9/12 |
Michel Foucault, "The
Discourse on Language" (On Reserve and Electronic Reserve at Belk Library).
Also browse these internet resources on Foucault. |
|
TH 9/14 |
|
|
|
|
|
6
|
M 9/18 |
Jorge Luis Borges, "Pierre
Menard, Author of Don Quixote." Also browse these internet resources
on Borges. |
|
T 9/19 |
|
|
TH 9/21 |
Second writing assignment due in my box. No class. |
|
|
|
|
7
|
M 9/25 |
Web Style Guide, Chapter 2. Browse the companion
web site along with these other internet resources. |
|
T 9/26 |
Chapters 3 and
4. Browse pages on site
and page
design. |
|
TH 9/28 |
Chapters 5 and
6. Browse pages on typography
and editorial
style. Also browse Why
the Web Sucks, II; How
to read a Page; What
to Look for in a Site. |
|
|
|
|
8
|
M 10/2 |
Vannevar Bush, "As
We May Think." Also browse these internet resources on Bush
and this brief History
of Hypertext. |
|
T 10/3 |
|
|
TH 10/5 |
Mark Poster, "Postmodern
Virtualities." Also browse these internet resources on Poster
and this Brief
History of the Internet. |
|
|
|
|
9
|
M 10/9 |
|
|
T 10/10 |
Third writing assignment: revised paper due. |
|
|
FALL BREAK |
|
|
|
|
10
|
M 10/16 |
Nathaniel Hawthorne, "Fire
Worship." Also browse these internet resources on Hawthorne. |
|
T 10/17 |
|
|
TH 10/19 |
|
|
|
|
|
11
|
M 10/23 |
Henry Adams, "The
Dynamo and the Virgin." Also browse these internet resources on Adams. |
|
T 10/24 |
|
|
TH 10/26 |
|
|
|
|
|
12
|
M 10/30 |
Charlie Chaplin, Modern Times. To be shown at 6:00 p.m. in I.G.
Greer auditorium. Also browse these internet resources on Chaplin. |
|
T 10/31 |
|
|
TH 11/2 |
Fourth writing assignment due. |
|
|
|
|
13
|
M 11/6 |
Ursula K. Le Guin, "The
Ones Who Walk Away From Omelas." Also browse these internet resources
on Le Guin. |
|
T 11/7 |
|
|
TH 11/9 |
|
|
|
|
|
14
|
M 11/13 |
Marge Piercy, Woman on the Edge of Time. Also browse these internet
resources on Piercy. Read at least through page 191. |
|
T 11/14 |
Read at least
through page 301. |
|
TH 11/16 |
Finish reading
Piercy. |
|
|
|
|
15
|
M 11/20 |
|
|
T 11/21 |
Fifth writing assignment due. |
|
|
THANKSGIVING |
|
|
|
|
16
|
M 11/27 |
Godfrey Reggio, Koyaanisqatsi. To be shown at 5:00 p.m. in I.G.
Greer auditorium. Also browse these internet resources on Reggio. |
|
T 11/28 |
|
|
TH 11/30 |
Sixth writing assignment: revised paper due. |
|
|
|
|
17
|
M 12/4 |
Group work. |
|
T 12/5 |
Group work. |
|
|
|
|
|
Final Symposium on Monday, December 11
from 12:00-2:00 in Whitener 46, Computer Lab #2.
|
Assignments:
There will be six formal writing assignments during the semester
plus a final group project. Late papers will be docked one-third of a letter
grade for each day late. Feel free to make use of the Writing Center in
Sanford Hall. All papers should be typed, double-spaced in a 12 point font
with standard margins. There should be a cover page including an original
and informative title for your paper, your name, the course and time, my
name, and the date. There should be a bibliography with complete references
using correct MLA style for any works cited in the paper. Papers should
be stapled in the upper left-hand corner. No binders or folders please.
Pages should be numbered. Be sure to keep a copy of your paper.
First Writing Assignment (500-750 words): Describe
an event from history that you find to be important, significant, and meaningful
and explain why it is important. Be specific, clear, precise, thoughtful,
creative, and eloquent both in your description of the event and in your
explanation of its importance. You may refer to Nietzsche's "On the Use
and Abuse of History for Life" in your essay, or not, as you see fit. However,
you should strive to do something of what Nietzsche does by way of justifying
the importance of the event you choose and explaining the reasons why,
and in what way, it remains significant. Be as focused and specific as
possible in your choice of events (e.g. not "The Civil War," but "John
Brown's raid on Harper's Ferry;" not "Rock and Roll" but "Muddy
Waters moves to Chicago"). Research your event as needed to provide
a concrete and vivid description. Please confine yourself to events and
not inventions or technologies -- you will be writing more on those later
in the semester. The aim here is not to produce an exhaustive historical
account, but instead to reflect on the meaning and value of one particular
bit of history.
Second Writing Assignment (500-750 words):
What do we as a culture remember and what do we forget? Why? Of all the
triumphs, disasters, wars, plagues, injustices, persecutions, accomplishments,
people, and events of all sorts which make up our history, why do we remember
the ones we do and why do we forget so many others? Starting from our readings
from Freud and Foucault, write a thoughtful, creative, and eloquent essay
speculating on the state of our historical memory. Be specific about what
your position is and clear, precise, and concrete in the examples and reasons
you give in support of your view. You must make use of at least some of
the ideas found in either Freud or Foucault, however, you may use both.
Third Writing Assignment (750-1000 words):
Substantially revise, rewrite, edit, correct, expand, and otherwise improve
either of your first two writing assignments. Be sure to turn in your original
paper with my comments along with your newly revised and transformed paper.
This paper will be graded, and will count 25% of your final course grade.
Fourth Writing Assignment (750-1000 words):
Compare and contrast the internet to either Hawthorne's stove or Adams'
dynamo. Does the internet pose the kind of social challenges Hawthorne
sees in the airtight woodstove, or possess the force of Adams' dynamo?
Explain and defend your view with reference to one of these authors.
Be clear in your explanation and use of either Hawthorne or Adams; creative
in your discussion of the internet; and specific about the connection between
the two.
Fifth Writing Assignment (750-1000 words):
Write a future history of the internet. How will the future remember the
invention of the internet and why? What will the internet mean to our future?
Will it bring about a utopian age of global communication and democratic
interaction, or a dystopian future of increasing surveillance and control,
or do you foresee something entirely different? Be creative, specific,
and bold. You may write your vision of the future as an essay, a short
story, a history, or any other format that would best suit your vision
of the role the internet will play in our future. You may write about the
relatively near future, or some far distant time. However you structure
your account, you should be focused, specific, and concrete both about
the impact of the internet on society in the future as well as the reasons
for that impact. Try to explore one small aspect of that future in depth
and detail rather than attempting to discuss every possible implication.
Sixth Writing Assignment (1000-1250 words):
Substantially revise, rewrite, edit, correct, expand, and otherwise improve
either one of the papers you wrote for the fourth or fifth writing assignments.
Be sure to turn in your original paper with my comments along with a copy
of your newly revised and transformed paper. This paper will be graded,
and will count 25% of your final course grade. NOTE: You are to post a
copy of your revised paper on-line using your VMS account and password,
and email the address of your web page to me at stanovskydj@appstate.edu.
I will then post these addresses as links, and you are to read each other's
papers. A printout of your web page should also be handed in to me at the
beginning of class, Thursday 11/30.
Final Group Projects: For your final project
of the semester you are to publish, as a group, a web site containing a
substantial portion of your semester's writing. Each group's web site should
contain:
A clear thesis connected with the theme of the course -- "Future Histories:
Reading, Writing, and Remembering After the Internet." Taken as a whole,
your web site, through its writings, organization, graphics, links, etc.,
should convey a clearly identifiable point. It should be clear exactly
what are you saying about the Internet and why.
You must include at least 2500 words written by each group member. These
can be taken from any combination of writings you have done for this class
over the semester, or have written specifically for this assignment. You
are expected to revise, edit, expand, change, correct, and otherwise improve
and adapt your writing to fit smoothly into the theme of your web site.
The writings can be broken up and organized in any way you see fit. They
can be interspersed and connected with the writings of others, but the
author of any selection should always be clearly identifiable.
Appropriate graphics, layout, and design that make your ideas clear, easy
to read, and easy to find.
Links to the course syllabus, and to other information, readings, graphics,
sites, etc. that are relevant to your thesis.
Amaze and delight us! Good luck!
| Readings: |
Friedrich Nietzsche, "On
the Use and Abuse of History for Life."
The Nietzsche Page at USC, from
Douglas Thomas.
Biographical
note by Garth Kemerling.
|
Walter Benjamin, "Unpacking
My Library."
|
Sigmund Freud, "Screen
Memories."
|
Michel Foucault, "The
Discourse on Language."
|
Jorge Luis Borges, "Pierre
Menard, Author of Don Quixote."
|
Vannevar Bush, "As
We May Think."
|
Mark Poster, "Postmodern
Virtualities."
|
Nathaniel Hawthorne, "Fire
Worship."
|
Henry Adams, "The
Dynamo and the Virgin."
|
Charlie Chaplin, Modern Times.
|
Ursula K. Le Guin, "The
Ones Who Walk Away From Omelas."
|
Marge Piercy, Woman on the Edge
of Time.
|
Godfrey Reggio, Koyaanisqatsi.
|
| Internet: |
Brief
History of the Internet, from Sputnik to Napster by Robert H. Zakon.
|
History
of Hypertext, from papyrus to Netscape by Jorn Barger.
|
Interdisciplinary
Studies Reading Room, maintained by your instructor, this page
provides links to search engines, academic resources, and other helpful
pages at Appalachian State and elsewhere.
|
A
Kinder, Gentler Glossary for Net Neophytes -- and Others, a glossary
of internet terminology by Cathy Young, published in Women and Performance.
|
Publishing
your own ASU web page, from Academic Computing.
|
Realm
Graphics Web Images, a very helpful assortment of buttons and backgrounds
for web pages from Ender Design.
|
Resource Center for
Cyberculture Studies with links to articles, book reviews, and
other information on cyberspace and cyberculture.
|
Web Design Links
from the Web Design Group at Carnegie Mellon University.
|
Web Style
Guide, the companion web site to our textbook.
|
100
Do's and Don'ts of web page design from Spider Pro.
|
Student Papers (Sixth Writing Assignment):
1:00 Class: Erin
Banks, Sam Brownfield,
Mike
Bean,
Bobbie Dayalani,
Cole
Hamilton,
Laura Hinson,
Ehrin
Irvin,
Mecca
Jackson, Rachel Robertson, Cat
Ryan, Lauren Sykes.
2:00 Class: Elizabeth Benton,
Dan Dickey,
Kimberlee
Hall, Jeff Huntley,
Jef
Johnson, Tiffany King, Jeremy
Lapicki, Katie
Riordan,
Sara Tiner, Elisha
Webster.
Student Projects:
1:00 Class:
Group
I: Erin Banks, Cole Hamilton, Mecca Jackson
Group
II: Sam Brownfield, Rachel Robertson, Cat Ryan
Group
III: Mike Bean, Bobbie Dayalani, Laura Franklin
Group
IV: Laura Hinson, Ehrin Irvin, Lauren Sykes
2:00 Class:
Group
I: Kimberlee Hall, Katie Riordan, Elisha Webster
Group
II: Dan Dickey, Jeff Huntley, Jeremy Lapicki
Group
III: Elizabeth Benton, Jef Johnson, Tiffany King, Sara Tiner
|